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  • I learned the truth at seventeen,
    That love was meant for beauty queens
  • There's never much to say between
    The moments of our games and repartee
  • Put your ear to the ground,
    there's a buzz
    about a new type of song
  • And I'm leaving the light on the stairs
    No I'm not scared - I wait for you
    Hey Jesse, I'm lonely, come home
  • Nothing's sadder than the man who thinks he's free
    when he is chained to the prison of his hatred,
    and a dream gone up in flames
  • I would tell her how I've yearned
    to be worthy of the grail.
    All these years and all I've learned
    is just how brilliantly I fail
  • There are voices on the wind.
    Stolen whispers, sacred moans.
    You can hear them through your skin,
    and the singing of the bones
  • Here we all are, waiting for God,
    or someone who looks just like Him
  • We live beyond our means
    on other peoples' dreams,
    and that's succeeding
  • We were speaking of values and violence.
    Breaking silence
  • And if I never reach Orion,
    and if I never fly that far -
    still there's no harm in trying
    to go walking on a star
  • And if Jesus was a black man,
    or as white as Sambo's grin,
    it's his words that we'd remember,
    not the color of his skin
  • Old lace and picture frames
    rattle their ancient chains.
    Midnight will surprise moonlight at the door
  • I want to make you love me,
    and I want to make you smile,
    and I want to be your family,
    for just a little while
  • I believe in tomorrow,
    but I remember yesterday
  • How could I have loved you for so long?
    I know I enjoyed you,
    but how could I have liked you?
  • Old cliches, they grow like vines,
    to clutch the heart of the one you leave behind
  • It's the road that makes the rhythm.
    It's the chalk marks on her soul.
  • She was younger than forever.
    She was older than goodbye.
  • It's not who you love,
    but whether you can.
  • Vocatus atque non vocatus, deus aderit.
    Sursum, Domini, sursum Domini.
    Ora pro nobis, in ora pro nobis pacem, Kyrie.
    In ora Kyrie eleison. Kyrie.
  • She can taste it on your breath,
    cutting through the cigarette.
    She can smell it on your sweat
  • The city casts no shadow now.
    At midnight,
    all the whores come out and dance with darkness,
    and the night rains pour.
  • How does it feel to pull out the nails,
    and find you still can walk?
  • Yesterday's preacher,
    today's bikini beacher
  • Now all over this big wide world,
    I play like a girl -
    from the California lights to the Serengetti nights,
    I play like a girl
  • Close the light. Still the flames.
    Candles light the empty frames.
    A photograph can never be
    the song you are to me.
  • Some overdose, and some wrap like a rose
    'round the slick perfumed nose of high noon.
    Burning their lips as they stoop low
    to kiss some rich man's excuse for the moon.
  • First time I saw Paris in your eyes,
    you told me how you loved me,
    under blue Picasso skies.
  • No one sends roses to crazy old ladies
    who lie in dark dusty rooms,
    the size of a small foreign car.
    Sometimes I wonder
    where all the good people are.
  • Some sell their bodies for dimes,
    while others marry for the houses,
    and the jewelry.
    It's a real thin line,
    what you charge for your time.
  • Hide me in the wisdom of your thighs.
    Ride me like a wave.
  • And is she beautiful?
    She must be pretty, or worse,
    to ride the high seas.
  • The gates of the city are closed until dawn,
    when the ghosts of midnight have come and gone,
    and the hearts of the weary carry on
  • Why can't my wings soar like yours?
    Why can't my span spread as wide?
    Maybe I've got too much left to hide
  • I am waiting for my life to be
    one long unbroken symphony.
    Will it come too late to shelter me?
    I long to be eternity.
    Come on, come on, eternity!
  • I lay the baby out each dawn,
    inbetween the tender corn,
    with sunrise for her bonnet,
    and flies her only blanket.
  • Somewhere out there are millions just like me -
    homesick for Eden,
    heartsick at the memory.
  • You mistake the moment for the song.
    The drama for the play.
    The actor for the role.
    The neon light for day.
  • The old ones like to claw and clutch.
    Be careful not to offer much.
    They understand the fist and crutch.
  • Here I am dancing at last.
    Holding my own,
    even when the band plays fast -
    tonight's the night!
  • How we used to like the old-time movies.
    The silent picture show,
    where you make up your life
    at the end of the night,
    as your reel to reels unfold
  • Her new name was tattooed to her wrist.
    It was longer than the old one... tattoo.
  • God said I wish you'd known me,
    when I still believed you'd be true.
    Now for the rest of your days,
    when you call our my name,
    I'll be "Mr. God" to you.
  • Every man's an island in the desert of his soul.
    Take to the sky,
    there's nowhere else to go.
  • I went to drink some water,
    but the faucet heads were gone.
    They weren't sterling silver,
    but I loved to turn them on.
  • Enough about me - let's talk about you.
    What do you think of me?
  • Janis Ian - Photo by Peter Cunningham
  • Janis Ian - Photo by Peter Cunningham
  • Janis Ian playing percussion for 'Stars' - Photo by Peter Cunningham
  • Janis Ian on stage
  • Janis Ian - Photo by Peter Cunningham
  • Janis Ian with Kathy Mattea & Deanna Carter cutting 'Emmanual'
  • Janis Ian with Eric Bibb & Leon Bibb
  • Janis Ian with Eric Bibb
  • Janis Ian with Utah Philips & Eric Bibb
  • Young Janis Ian with Leonard Bernstein
  • Janis, Judy Collins, Leonard Cohen - Bottom Line 12-01-74
Hot News
  • Pearl Foundation Update

    Astonished and grateful to say that the Pearl Foundation has donated $44,000 in scholarship endowments for the year 2020, bringing our grand total to $1,235,500.00 in scholarship funding, with more than 75 graduates to date. Thank you all for your support!

  • New Album Hope Now Available!

    Hope, a collection of 12 pieces from the Janis Ian Archives, ranging from 1976 to 2011, is now available exclusively in the Janis Ian Store. On sale as a digital album only, most of these tracks have never been heard before. Visit the store for more information and download options!! Hope will be available at other online stores and streaming services sometime after the new year.

  • IRS Grants Full Public Status To The Pearl Foundation

    As some of you know, the Pearl Foundation began as a "private charity" because it was endowed solely by Janis and her wife Pat. As more people like yourselves contributed, we were able to apply for full public status. We began the process as soon as legally possible, and after years of rigorous oversight and specialized tax consultants (paid for by Janis), we have been granted full public status!

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Hot News

more free downloads

Tour Dates

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All tour dates updated on January 14, 2021

  • Sunday June 27 to Saturday July 3
    Swannanoa Gathering Fiddle Mando Banjo Week
    Swannanoa, North Carolina, USA

    Swannanoa Gathering Fiddle Mando Banjo Week

    Swannanoa, North Carolina, USA

    Phone:

    Visit the venue's website

    For the first time, Janis will be giving her 5-day series "A Master Class In Artistry" during each of the Swannanoa Gathering weeks. The final week will also feature a second, more interactive class tentatively titled "War Stories". Time of classes is TBA; please check the  website for more information. The 5 day class covers everything from the origins of artists to physicalization, songwriting for profit and not so much, performance, the need to be brave, how to survive as an artist in the modern world, and why bother. Points are illustrated with songs and playing as she takes us on a journey that begins with the first caveman to tell a story and continues through the myth of the artist as "crazy", the need for silence, and why she believes "art saves". Drawing on her 55 years of experience in the entertainment industry and her ten years with Stella Adler, presented with humor and grace, brutally honest, and a once-in-a-lifetime opportunity for her students. 

  • Sunday July 04 to Saturday July 10
    Swannanoa Gathering Traditional Song Week
    Swannanoa, North Carolina, USA

    Swannanoa Gathering Traditional Song Week

    Swannanoa, North Carolina, USA

    Phone:

    Visit the venue's website

    For the first time, Janis will be giving her 5-day series "A Master Class In Artistry" during each of the Swannanoa Gathering weeks. Time of her classes is TBA; please check the  website for more information. The 5 day class covers everything from the origins of artists to physicalization, songwriting for profit and not so much, performance, the need to be brave, how to survive as an artist in the modern world, and why bother. Points are illustrated with songs and playing as she takes us on a journey that begins with the first caveman to tell a story and continues through the myth of the artist as "crazy", the need for silence, and why she believes "art saves". Drawing on her 55 years of experience in the entertainment industry and her ten years with Stella Adler, presented with humor and grace, brutally honest, and a once-in-a-lifetime opportunity for her students. 

  • Sunday July 11 to Saturday July 17
    Swannanoa Gathering Celtic Week
    Swannanoa, North Carolina, USA

    Swannanoa Gathering Celtic Week

    Swannanoa, North Carolina, USA

    Phone:

    Visit the venue's website

    For the first time, Janis will be giving her 5-day series "A Master Class In Artistry" during each of the Swannanoa Gathering weeks. Time of her classes is TBA; please check the  website for more information. The 5 day class covers everything from the origins of artists to physicalization, songwriting for profit and not so much, performance, the need to be brave, how to survive as an artist in the modern world, and why bother. Points are illustrated with songs and playing as she takes us on a journey that begins with the first caveman to tell a story and continues through the myth of the artist as "crazy", the need for silence, and why she believes "art saves". Drawing on her 55 years of experience in the entertainment industry and her ten years with Stella Adler, presented with humor and grace, brutally honest, and a once-in-a-lifetime opportunity for her students. 

  • Sunday July 18 to Saturday July 24
    Swannanoa Gathering Old Time Week
    Swannanoa, North Carolina,

    Swannanoa Gathering Old Time Week

    Swannanoa, North Carolina,

    Phone:

    Visit the venue's website

    For the first time, Janis will be giving her 5-day series "A Master Class In Artistry" during each of the Swannanoa Gathering weeks. Time of her classes is TBA; please check the  website for more information. The 5 day class covers everything from the origins of artists to physicalization, songwriting for profit and not so much, performance, the need to be brave, how to survive as an artist in the modern world, and why bother. Points are illustrated with songs and playing as she takes us on a journey that begins with the first caveman to tell a story and continues through the myth of the artist as "crazy", the need for silence, and why she believes "art saves". Drawing on her 55 years of experience in the entertainment industry and her ten years with Stella Adler, presented with humor and grace, brutally honest, and a once-in-a-lifetime opportunity for her students. 

  • Sunday July 25 to Saturday July 31
    Swannanoa Gathering Cont. Folk & Guitar Week
    Swannanoa, North Carolina, USA

    Swannanoa Gathering Cont. Folk & Guitar Week

    Swannanoa, North Carolina, USA

    Phone: N/A

    Visit the venue's website

    For the first time, Janis will be giving her 5-day series "A Master Class In Artistry" during each of the Swannanoa Gathering weeks. Time of her classes is TBA; please check the  website for more information. The 5 day class covers everything from the origins of artists to physicalization, songwriting for profit and not so much, performance, the need to be brave, how to survive as an artist in the modern world, and why bother. Points are illustrated with songs and playing as she takes us on a journey that begins with the first caveman to tell a story and continues through the myth of the artist as "crazy", the need for silence, and why she believes "art saves". Drawing on her 55 years of experience in the entertainment industry and her ten years with Stella Adler, presented with humor and grace, brutally honest, and a once-in-a-lifetime opportunity for her students. 

more tour dates

Janis Ian - Hope

New Album Hope Now Available!

Hope, a collection of 12 pieces from the Janis Ian Archives, ranging from 1976 to 2011, is now available as a digital album! You can purchase from the Janis Ian store; release on your local iTunes, Amazon et al will be January 10th. Most of these tracks have never been heard before. The album is available to download as "CD Quality" FLAC files or "High Quality" MP3 files. Hope will be available at other online stores and streaming services sometime after the new year.

Tracks:
1. Shine On (Janis Ian) 1976
2. The Love We Leave (Janis Ian/Jon Vezner) 1992
3. This Long Night (Dancing With the Dark) (Janis Ian) 1992
4. Don’t Rush the River (Janis Ian/Kye Fleming) 1985
5. A Thousand Years (Janis Ian/Russ Taff) 1992
6. We Endure (Janis Ian) 1990
7. his Old Town (Janis Ian/Jon Vezner) 1990
8. The Holly Tree (Janis Ian/Jess Leary) 1992
9. Forever Yours (Janis Ian/Russ Taff) 1992
10. We Should Be Dancing (Janis Ian/Thom Schuyler) 1989
11. Here Comes the Night (live in London) (Janis Ian) 1979
12. I Am the One (Janis Ian/Miriam Therese Winter) 2011

All tracks are unedited, ranging from cassettes to 1/4" reels later transferred to DAT for preservation. One was recorded live straight to a Mackie board (“Here Comes the Night”); others were casually laid down by Janis as she sat on a couch at home and sang into a DAT player, or in a local studio where she sat down with a guitar to get a new song down on tape. No editing, no auto-tuning, no attempts to make them sound more “professional”. There’s some hiss, there are a few mistakes. That’s what happens when you make art! Any noise artifacts you may hear are part of the original. As little as possible has been done to render these recordings usable. Special thanks to my co-writers and the publishers for allowing this usage to help us raise funds for the Pearl Foundation!

Visit the store now!

Free is good, but think of the karmic benefits of taking the money that the above downloads would have cost at some other on-line music site, and then donating that money to a good cause. My gosh, a few of these and you're on the path to nirvana! The link below can be used to make a contribution to the The Pearl Foundation. Donations are accepted via Paypal. Every penny raised by this link benefits the Pearl Foundation.

OR...

Send us an email offering a donation in return for something special. (See the Pearl Foundation pages for more info!)

Or if you don't have a computer, you can send a check to:

The Pearl Foundation
Rashford Kruse & Asso.
Post Office Box 121228
Nashville TN 37212

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